Ipdi ovvoru emotionum eduthA pala vishayangaL veLila varum Pothi vecha malligai mottula andha kindalum kEliyum kalandha andha sirippu - andha confident wooer's knowing egathAlAm "I know you have fallen for me" mixed with his own surging calf love. Oh butterfly-nu tender romance paNNa mudiyAdhu - vonly big bang macho "iyAm superman, give a kiss to your superking" romance emotion.
If you have heard mere naina, you have heard his interpretation of sogam, longing in all its shades.Ī detailed look into spb's nuances is superfluous so any quoting will get a counter question avLO dhAnA. If you have heard jeevan se bhari, you have heard is interpretation of all shades of intense romantic look(mood). nalla masala singer - crowd pleasing but has one note for every emotion - if you have heard a yodelling song, you have heard it all. Broadly paints same strokes across emotions. (When it comes to the last wish at death bed, it has to be Thendral Vandhu.) The wind instruments, bass guitar, the jamming is simply staggering! I mean, the adaptation of the call and response idiom (the Afro-American jazz/blues pattern or our own Esappaattu) is unparalleled - i don't mean the duel between Malaysia and SPB, i mean the instruments and arrangement. IMO when it comes to the best use of trumpet and trombone, "Ennamma Kannu" is equal to if not better than Ilamai Idho Idho. I would turn the line PR said about this song on its head - feeling proud of people appreciating/welcoming this song - I would say its Raaja's master stroke or signature to pack in so much, in that time period and *yet* make it a mass song ("Vaa vaa pakkam vaa", Vijay TV nigazhchi onnula pottaan, idhellam eppadi conceive pannaan mottai!) There are very few songs where every moment is a surprise/wonder and where the composer packs in so much punch.
PR and Vikki, neenga songs-a varnikkara vidham enakku remba pidikkin adhuvum indha paattukku, rembave nallllla senjeenga thambi. Late pickup, irundhaalum tayau(m) kedaikkumbodhellam padhivu panniranum.
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